Ryuhei, a would-be film director, has just been dumped by his girl friend and his drunken threats to kill her have made him the prime suspect, as she has just been murdered. His alibi is that he was watching a film in his friend’s home movie theatre at the time. Unfortunately, his friend has also been stabbed to death in his bathroom, with the door to the apartment locked with ...(展开全部)

The #1 National Bestseller by the author of The Hammer of Eden His code name: "The Sphinx." His mission: to send Rommel's advancing army the secrets that would unlock the doors to Cairo...and the ultimate Nazi triumph in the war. And in all of Cairo, only two people could stop this brilliant and ruthless Nazi master agent. One was a down-on-his-luck English officer no one wo...(展开全部)

Some doors are locked for a reason… While eleven-year-old Nora Davis was up in her bedroom doing homework, she had no idea her father was killing women in the basement. Until the day the police arrived at their front door. Decades later, Nora’s father is spending his life behind bars, and Nora is a successful surgeon with a quiet, solitary existence. Nobody knows her father was...(展开全部)

Comnbining dark humor, Hitchcock-like suspense, and film-noir prose, these three unique novels--united--form a powerful and thought-provoking puzzle.

Paul Auster’s signature work, The New York Trilogy, consists of three interlocking novels: City of Glass, Ghosts, and The Locked Room—haunting and mysterious tales that move at the breathless pace of a thriller.

Comnbining dark humor, Hitchcock-like suspense, and film-noir prose, these three unique novels--united--form a powerful and thought-provoking puzzle.

Paul Auster’s signature work, The New York Trilogy, consists of three interlocking novels: City of Glass, Ghosts, and The Locked Room—haunting and mysterious tales that move at the breathless pace of a thriller.

谷崎润一郎（1886―1965）是日本唯美派文学大师，早期作品追求从施虐与受虐中体味痛切的快感，在肉体的残忍中展现女性的美，故有“恶魔主义者”之称；中后期作品回归日本古典与东方传统，在与诸多社会关系疏离的背景下，幽微而私密地描述了中产阶级男女之间的性心理与性生活。谷崎的小说世界充满荒诞与怪异，在丑中寻求美，在赞美恶中肯定善，在死亡中思考生存的意义。他的散文世界则洋溢着浓郁的日本风，耽溺于阴翳的神秘、官能的愉悦与民族的风情。其代表作另有散文集《阴翳礼赞》，小说《疯癫老人日记》、《万字》、《少将滋乾之母》等。

谷崎润一郎（1886―1965）是日本唯美派文学大师，早期作品追求从施虐与受虐中体味痛切的快感，在肉体的残忍中展现女性的美，故有“恶魔主义者”之称；中后期作品回归日本古典与东方传统，在与诸多社会关系疏离的背景下，幽微而私密地描述了中产阶级男女之间的性心理与性生活。谷崎的小说世界充满荒诞与怪异，在丑中寻求美，在赞美恶中肯定善，在死亡中思考生存的意义。他的散文世界则洋溢着浓郁的日本风，耽溺于阴翳的神秘、官能的愉悦与民族的风情。其代表作另有散文集《阴翳礼赞》，小说《疯癫老人日记》、《万字》、《少将滋乾之母》等。